All’ombra del Campanile, memoria del Paradiso. Luoghi e interpretazione secolare di ‘componenti’ liturgici del paesaggio

Classica et Christiana, 16/1, 2021 /83-100

All’ombra del Campanile, memoria del Paradiso. Luoghi e interpretazione secolare di ‘componenti’ liturgici del paesaggio [In the shadow of the bell tower, memory of Paradise. Places and se­cu­lar interpretation of liturgical ‘components’ of the land­scape]
Saverio CARILLO

 

ABSTRACT

In the shadow of the bell tower, memory of Paradise. Places and secular interpretation of liturgical ‘components’ of the land­scape. Western tradition attributes to Paulinus of Nola the invention of the bell and above all its liturgical use. Paulinus, a significant figure of Chris­ti­anity in the 4th and 5th centuries, having carried out intense building activity, has left to Ci­mitile with archaeological traces, on which, over the centuries, further con­struc­­­tions have been stratified. The Bell Tower of the Monumental Complex of Ci­mitile is considered to be the first of Christianity. In the nearby Nola, the Cam­panile of the Carmine Church in the second half of the nineteenth century was completed with a crowning in “riggiole” in the shape of the primitive bell. The first bell, ac­cord­ing to tradition, composed foils of hoe tied with leather laces. The same agri­cul­tural tool recalled Paulinus, when tu Africa  gardener by when, he under­went vo­lun­­tary im­pri­sonment to redeem and to save the son of a widow, brought to A­fri­ca by the Vandals. In memory of the return of Bishop Paulinus from his im­pri­sonment in Africa to Nola, the Festa dei Gigli is celebrated every year.

KEYWORDS

paradise, bell, bell tower, Paulinus of Nola, garden and ur­ban land­scape

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DOI: 10.47743/CetC-2021-16.1.83