Classica et Christiana, 20/1, 2025 /95

Sorin NEMETI (Universitatea „Babeș-Bolyai” din Cluj-Napoca)
„ȘCOALA ARDELEANĂ” ȘI ISTORIA PROVINCIEI DACIA

Keywords: Transylvanian School, Roman Dacia, historiography, Latin origin, polemic.

Abstract: „Transylvanian School” and the History of the Pro­vin­ce of Dacia. By the syntagm “Transylvanian School” we refer to the his­to­rians of the Transylvanian Enlightenment, Samuil Micu, Gheorghe Șincai and Petru Maior. Analyzing mainly their historical work, we want to approach the mem­bers of this so-called “Siebenbürger trias” as Enlightenment historians, in the context of a Ger­man-Austrian Aufklärung. The history of Roman Dacia is for the re­pre­sen­ta­tives of the Transylvanian School an essential episode in the formation of the Ro­ma­nian nation and thus it is integrated into a chronicle, a history of the Ro­ma­ni­ans that begins somewhere in the past and continues to their days. The authors are well informed on provincial realities, according to the current image of the era in which they write. Their sources indicate both the knowledge of anti­quarian li­te­ra­ture of the humanists from Hungary and Transylvania, as well as the his­to­rio­gra­phi­cal productions of the 18th century regarding the ancient rea­li­ties of the Lower Danube. They are in syncronism with the currents of ideas of their era, with their contemporary historical research methods and in dialogue or polemic with the Ger­man-Austrian historiography of the time. The re­pre­sen­ta­tives of the Transyl­va­nian School are ideologically mobilized and discuss at length the key moments of birth of the Romanian nation, which assumes the exter­mi­nation of the autoch­tho­nous (Dacian) component, ignobile, if not impure, res­pec­tively the uninterrupted continuity of “Trajan’s colonists” in the hearth of Dacia. Getting lost in this, then and now, sterile polemic sometimes, they partially ignore the richness of the pro­vincial history. Their discourse about Dacia as a pro­­vince is, in fact, a modern ges­ticulation on a Renaissance documentary basis.

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DOI: 10.47743/CetC-2025-20.1.95